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依照惯例,每年第5期的期刊都应该是最饱满引人的(因正值期刊征订期)。看得出,各家编者都在摩拳擦掌。只可惜作家阵容不等于作品阵容,由此引发的关于文坛荒芜的感叹也真是老生常“叹”。本期值得关注的作品,除一个精细的长篇(毕飞宇《推拿》)和两个精巧的短篇(谈歌《苏子玉》、余一鸣《城里的田鸡》)外,还有几篇“80后”作家直面自身经验的写作,如笛安的《塞纳河不结冰》、手指的《我们干点什么吧》,以及以“打工作家”知名的王十月力图深入探索打工者心理暗河的《白斑马》。此外,维族作家阿舍带有宗教情怀的写作,以内心的光芒捕捉了汉语的光芒,也令人眼前一亮。
By convention, the 5th issue of the journal should be the most intriguing (due to the nominal subscription period). Can see that all editors are gearing up. Unfortunately, the lineup does not mean that the composition of the lineup, resulting in a literary barren sigh is really a regular “sigh ”. In addition to a fine lengthy (Bi Feiyu “Massage”) and two exquisite short stories (“Suzi Yu” and Yu Yiming “The Frog in the City”), there are several articles in this issue of concern. After 80, writers face the writing experience of their own, such as Annie’s “The Seine does not freeze”, his finger “What are we doing?” And Wang known as “working-writer” Mental underground river “white zebra.” In addition, Uighur writer Ashe with religious feelings of writing, with the inner light to capture the Chinese light, but also shines.