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冬去春来,常言道,一年之计在于春。对善于打点农事的中华民族,春天无疑是未来生活质量的关键所在。那么,美术学的春天又该如何运筹,这将检验当下一代学人的所思所为。我们的立足点当然是中国美术学的历史,中华民族的历史,我们的计划当然瞩目于中国美术的发展,这就需要我们珍重中国历史文化,以强健的民族自信选择正道,培养正气,涵养自身的德性与文心,致力于真正的学术发展,谱写中国美术学的新篇章。本期刊发滕小松《雕塑草稿的审美特征和研究价值》,作者从雕塑草稿回溯艺术创作的本源,对艺术原创与作品之间的关系做了深入的分析。杨冬《重新审视新中国美术的现代性》在梳理了关于中国美术现代性思考历史现状的基础上,提出了独立的见解,可供我们共同思考。
Winter to spring, as the saying goes, one year plan is in spring. For the Chinese people who are good at managing farming, spring is undoubtedly the key to the quality of life in the future. Then, the art of spring how to make plans, which will test what the next generation of scholars think. Our standpoint is, of course, the history of Chinese fine arts and the history of the Chinese nation. Of course, our plan focuses on the development of Chinese art. This requires us to value Chinese history and culture, choose the right path with strong national self-confidence, cultivate integrity, Morality and cultural heart, committed to the real academic development, compose a new chapter in Chinese art. This issue is published in Teng Xiaosong’s “Aesthetic Characteristics and Research Value of Sculpture Draft”. The author traces the origin of artistic creation from the draft of sculpture and makes an in-depth analysis of the relationship between original art and his works. Yang Dong “Reexamining the Modernity of New Chinese Fine Arts” On the basis of combing the historical status quo about thinking about the modernity of Chinese fine art, he proposed an independent opinion that allows us to think together.