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现代社会的都市化和工业化把个体与群体的整体关系分割开来,历史的延续性被打断了,今天,我们大多数人都没有用形式繁多,数量不少的圈环来装饰肢体的经历,但它蕴涵着的文化内容同我们今天的装饰行为又如此的相似。本文从人类最初的肢体装饰入手,通过对现象的分析得出,束缚是装饰形成的主要原因,肢体装饰它是由最初的单纯束缚肢体的实用功能发展成具有装饰审美功能的。束缚催生装饰,但当人们厌倦了的时候,它就会成为满足更高层次情感需求的障碍。反而束缚是推动装饰发展的动力之一,而与时代脱节的装饰会反过来造成新的束缚。
The urbanization and industrialization of modern society separate the whole relationship between individuals and groups, and the continuity of history is interrupted. Most of us today do not decorate limb experience with many forms of rings of many shapes and sizes , But the cultural content it implies is so similar to our decorative act today. Starting from the initial human body decoration, this article analyzes the phenomenon and finds out that restraint is the main reason for the decoration. The body decoration is developed from the practical function of the original simple binding limbs to the decorative aesthetic function. Tying creates the decoration, but when people are tired, it becomes an obstacle to meeting the emotional needs of a higher level. Instead, restraint is to promote the development of decorative power one of the decoupling from the times will in turn create a new bondage.