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《中国书法》问世于一九八二年,当时是由中国书法家协会编辑、中国文联出版公司出版的不定期丛刊.出版四期以后,即一九八六年经国家新闻出版局批准,由中国书协主办,改为季刊,成立了《中国书法》杂志社。一九九三年改为双月刊。从一九九九年开始,《中国书法》又上台阶,改为大十六开本的月刊,内容与版面有了显著的增加。可以说,《中国书法》杂志的成长过程,正是当代中国书法篆刻艺术得到飞速发展的一个缩影。作为中国书法家协会主办的机关刊物,《中国书法》是所有会员之间交流与对话的平台,同时,它又是更为广大的读者尤其是书法篆刻爱好者的刊物。它的影响,它的作用,它所具有的地位,促使我们经常
The publication of “Chinese Calligraphy” in 1982 was an irregular series published by the China Calligraphers Association and published by China Federation of Literature and Art Publishing Co. After the fourth issue of the publication, in 1986, approved by the State Press and Publication Administration, China Book Association, replaced quarterly, the establishment of the “Chinese calligraphy” magazine. 1993 changed into bimonthly. Since 1999, the monthly publication of “Chinese Calligraphy”, which has been upgraded to the 16th edition, has seen a marked increase in content and layout. It can be said that the growth process of “Chinese Calligraphy” magazine is a microcosm of the rapid development of contemporary Chinese calligraphy and seal cutting art. As the official journal sponsored by the Chinese Calligraphers Association, “Chinese Calligraphy” is a platform for exchange and dialogue among all its members. At the same time, it is a publication of a wider audience, especially calligraphy and seal cutting enthusiasts. Its influence, its role, the position it has, motivates us often