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如果说罗大佑是台湾民谣音乐的丰碑,那么胡德夫应该被称作传奇。“台湾民谣之父”与“台湾原住民运动先驱”这两张标签,代表着胡德夫过去30年唱过的那些歌和那些社会运动。然而,对我们来说,胡德夫和他的那些歌其实远超过这些。他的歌是一种咏叹,是一种对人世美丽与悲哀的咏叹,是一种满怀多愁与理想的青春热血。他的歌也是一种祝祷,一种对生命源头和天地恩惠的祝祷。那么自由又那么深沉,那么豪放又那么温柔,像是山里最深的一处,是诗歌,是音符,是你所不能遗忘的。2005年,55岁的胡德夫出版了第一张个人专辑《匆匆》。距离1974年李双泽为他策划台湾现代民谣运动史上第一场个人演唱会“美丽的稻穗”,胡德夫已被大众整整遗忘了31年。2007年5月22日,胡德夫在北京大学百年讲堂举行音乐会。这也是胡德夫第二次来到北京。音乐会后胡德夫接受了《台声》杂志专访,他向记者讲述了过去30多年中他的那些歌和争取的原住民权利运动。
If Luo Dayu is a monument to Taiwan’s folk music, then Hoodoff should be called a legend. The two labels, “Father of Taiwan’s Folk Songs” and “Pioneer of Taiwan’s Aboriginal Movement,” represent the songs and social movements that Huff was singing in the past 30 years. However, for us, Hude Fu and his songs are actually far more than these. His song is an aria, a beautiful and sad chant for the world, a youthful blood full of worry and ideals. His song is also a kind of prayer, a kind of prayer to the source of life and the grace of heaven and earth. So free and so deep, so bold and gentle, like the deepest part of the mountains, poetry, notes, you can not forget. In 2005, Hudefu, 55, published his first solo album Hurry. From 1974, when Li Shuang-Ze was planning “the beautiful paddy rice” for his first solo concert in the history of modern folk music in Taiwan, Hudefu has been completely forgotten by the public for 31 years. On May 22, 2007, Hu Defu held a concert at Peking University Centennial Hall. This is the second time that Hudefu came to Beijing. After the concert, Hudev accepted an interview with Taisheng magazine and told reporters about his songs and strife-winning aboriginal rights movement over the past 30 years.