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中国古代戏曲中包含了许多宗教文化的成分 ,这一方面体现了儒、道、释等东方宗教在社会历史生活中的巨大渗透作用 ,另一方面又反映了文人对宗教理论的自觉发挥。东方宗教多持一种不死观念 ,迎合了人们求生畏死的心理。反映道教长生不老和佛教灵魂不灭思想是中国古代戏曲中常见的主题 ;外禅内庄的或者说庄禅互补的“隐逸情结”贯穿于中国文人思想的始终 ,戏曲中有大量的隐逸剧 ;佛教之无常观已成为古代文人观照、穿透烦恼人生的视角 ,这种观念也成为许多剧作的思想主题
The ancient Chinese drama contains many elements of religious culture. On the one hand, it reflects the great infiltration of Eastern religions such as Confucianism, Taoism and Buddhism in the social and historical life. On the other hand, it reflects the literati’s conscious play of religious theory. Eastern religions hold an undead concept, cater to people’s fear of death psychology. Reflecting the immortality of Taoism and the immortality of Buddhism are the common themes in ancient Chinese drama. The “seclusion complex” of the external Zen or Zhuangzun complements the literati’s thought in China, The concept of Buddhism has become the perspective of the ancient literati, through the annoyance of life perspective, this idea has also become the theme of many drama themes