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当今大凡作画者可谓是五花八门,各显其能,无不至极。用墨彩滴于白纸上,口吹成画者为“吹”画;用各色碎花布拼粘于纸板之上而成画者为“布贴画”;用贝壳粘于板壁间而成画者为“贝壳画”;用棉花粘于板壁而成画者为“丝棉画”等等,种类繁多,不一而是。然而用玻璃当纸,堆彩于间,掌指为笔,施于各法反画于玻璃之上的神奇画作,被江
Nowadays all the art writers can be described as varied, each show its energy, all extremely. With ink color drops on white paper, the mouth blowing into a painting for the “blowing ” painting; with colored scraps of cloth sticking on the cardboard and the artist is “cloth ”; with a shell stick to the wall Between the painting and “shell painting ”; with cotton stick to the wall and the artist is “silk cotton painting ” and so on, a wide variety, but not from one. However, when the glass is used as a paper, heap color in between, the palm of your hand as a pen, applied to the magic of anti-drawing on the glass of the painting, Jiang