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自19世纪下叶发现合振动的差拍现象后,人们对“结合音”的认识及应用,也往往局限于“差音”及“和音”这一定域内。实际,在音乐活动中,二个以上系列振动的结合现象,要比传统的认识复杂得多。本文通过推理及实验,揭示了结合音的微观世界,从而找到了复音(乐音)之间所形成的结合音的普遍规律,解决了和声之协和属性的定性、定量问题,由此派生了和声理论中,协和、功能、音色等属性的客观评价标准。
Since the phenomenon of co-vibration was found in the late 19th century, people’s understanding and application of “coherent tone” are often confined to the domain of “difference” and “harmony.” In fact, in music activities, the combination of vibration of more than two series is much more complex than the traditional understanding. By reasoning and experimenting, this paper reveals the microscopic world of phonetic transcription and thus finds out the universal law of phonetic concordance formed between polyphony (musical sound), and solves the qualitative and quantitative problems of concordance of phonation, thus resulting in harmony Theory, concordance, function, timbre and other attributes of the objective evaluation criteria.