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在中国绘画发展史上,传统哲学思想是中国艺术发展的根源所在,其中“中和”美学思想最为重要。20世纪以后中国画无论是形式还是内容上都发生了较大的变化,呈现出一种多元化的态势,但在审美取向上仍保留中华民族文化的传统特征。本文以“中和”美学思想为切入点分析现代中国画中所体现的“中和”之美。
In the history of the development of Chinese painting, traditional philosophical thinking is the root of the development of Chinese art, in which the aesthetic thoughts of “neutralization” are the most important. After the 20th century, Chinese painting has undergone great changes both in form and content, presenting a diversified situation. However, it still retains the traditional features of Chinese culture in aesthetic orientation. In this paper, we analyze the beauty of “Neutralization ” embodied in modern Chinese painting based on “Neutralization ” aesthetics.