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高名潞说:“中国的当代艺术需要建立起一种方法论的意识。这不光是对艺术家而言要有创作的方法论,对批评和理论以及策划,也都需要一种方法论。”(高名潞《另类方法、另类现代——中国当代艺术中的本土文化因素及其现代性转化》,待出版)并认为:“中国一个多世纪以来没有在自己的现代艺术的方法论和体系上有突出的建树,是与我们对现代性的价值思考有关。”(同上)因此,“我们需要找到另一种解读中国艺术的现代性和前卫性的叙事模式和修辞方式。而这种新的方式本身就已经包含了某种不同于西方的新的美学经验、新的艺术创作方法论和艺术阐释方法论。只有通过建树这样一
Gao Minglu said: ”China’s contemporary art needs to establish a methodological awareness, which is not only a methodological methodology for artists but also a methodological one for criticism, theory and planning.“ Gao Minglu’s Alternative Approach, Alternative Modernism - The Indigenous Cultural Factors in Modern Chinese Art and Its Transformation into Modernity, to be published), and holds the view that ”China has for more than a century been ignoring its own methodology and system of modern art Outstanding accomplishments are related to our thinking about the value of modernity. “(Ibid.) Thus,” we need to find another way of interpreting the modernity and avant-garde narrative and rhetorical methods of Chinese art. The new method itself already contains some new aesthetic experience different from that of the West, a new methodology of artistic creation, and a methodology of artistic interpretation. Only by building such a