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天下三分明月夜,二分无赖是扬州。清代中期,扬州一地,擅盐业与漕运之利,出现了富甲天下的扬州盐商。由于盐商对于艺术的热衷与赞助,在此地便兴起了一批身份相似与风格相近的画家群体,史称扬州八怪,或统称扬州画派。他们或为官场去职的州县官吏,如郑板桥、李鳝、李方膺、高凤翰;或为功名不如愿的落魄文士,如金农;也包括家境贫寒的职业画家,如罗聘、黄慎、边寿民、华岩等。他们在艺术观上重视个性表现,主张自立门户;在题材上除了擅长以四君子与松石等
One-third of the world moonlight night, the second rogue is Yangzhou. The middle of the Qing Dynasty, Yangzhou, a good salt and water transport profits, there is a wealthy salt Yangzhou. Due to the enthusiasm and sponsorship of the salt merchants for the arts, a group of painters of similar identities and styles emerged in this place. The history of these artists was called \"Eight Eccentrics in Yangzhou\" or collectively the Yangzhou Painting School. They or officials who relocated to the state government, such as Zheng Banqiao, Li Eel, Li Fangying, Gao Fenghan, or those who lack fame, such as Jinnong, and poor working painters such as Luo Huan, Huang Shen, Edge Shoumin, Hua Yan and so on. They attach importance to the artistic concept of individual performance, advocating self-reliance; in addition to good at the theme of the four gentlemen and turquoise, etc.