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本文从“文化”概念的基本内涵出发,探究歌德小说《威廉·麦斯特的漫游时代》中“漫游”和“迁移”对于小说的文本结构意义,透视其社会文化功能,挖掘老年歌德在社会转型时期以文学方式对人的生活和生产方式转变的必要性所进行的思考,探寻这些思考的基本脉络以及蕴藏其中的文化观和价值观。分析表明,在以“漫游”和“迁徙”为主导的文化思考中,歌德追求的不是二元对立,而是以“断念”为基础的互补和综合;展现的不是唯一性,而是多样性。他在指出新时代带来的危机的同时,尝试建构机遇和可能,并用独特的艺术形式,勾画出了一个文学乌托邦。
Based on the basic connotation of “culture ”, this paper explores the textual meaning of “roaming ” and “migrating ” in the novels of William Meister roaming, , Digging the old Goethe during the social transition period in the literary way of life and the necessity of the transformation of production mode of thinking, to explore the basic context of these thoughts and conceal the cultural values and values. The analysis shows that in the cultural thinking dominated by “roaming ” and “migration ”, Goethe is not pursuing dualistic opposition but rather complementary and integrated based on “discontinuousness ”; it is not the only Sex, but diversity. While pointing out the crisis brought about by the new era, he tried to construct the opportunities and possibilities and delineated a literary utopia by using unique artistic forms.