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自从法国著名艺术家达盖尔在20世纪30年代以拍头像开始发明了摄影术之后,影像技术得以迅猛发展,摄影逐渐走向了大众化、工业化,人类开始进入影像过剩时代,加之互联网技术的催发,尤其对于80年代、90年代后出生的青年人,由于国家意识形态的干预,那些关于历史和政治的影像几乎建构了他们对于历史的记忆和当今政治生活的全部认知,更为严重的是,很多人还把这些影像世界误以为真,使其认知受到极大扭曲。本文就影像化的历史和政治的虚假、如何处理影像的艺术性和现实的关系以及影像的自我修正,如何建构现实等问题进行了一些分析和探讨。
Since the famous French artist Daguerre invented photography in 1930s, the imaging technology developed rapidly. The photography gradually became popular and industrialized. Mankind began to enter into an era of excess imagery. In addition, with the development of Internet technology, Especially for the young people born after the 1980s and the 1990s, due to the intervention of the state ideology, those images about history and politics have almost constructed their full understanding of the memories of history and the political life of today. More seriously, Many people also misrepresent the world of these images so that their perceptions are greatly distorted. This article analyzes and discusses some issues such as the historical and political falsehood of image, how to deal with the relationship between artistic and realistic images, self-correction of images and how to construct reality.