西方绘画透视原理溯源刍议

• 作 者: 柯略
• 机 构: 广东第二师范学院美术系,
• 出 处: 短篇小说(原创版)
• 发表日期: 2013年12期
• 关键词: 西方绘画 马萨乔 透视原理 意大利文艺复兴 布鲁内莱斯基 透视画法 圣母子 透视学 阿尔贝蒂 透视法

在西方绘画史上,传统的写实性绘画一直遵循透视法的原理。早在公元前27年,古罗马的学者维特鲁威所写的《建筑十书》中就提到,图像缩减和投影法源自古希腊。古希腊人用此法使舞台布景画面的建筑达到错觉幻象的效果。之后的一些湿壁画极力显示空间幻觉,一些画面中,物体的侧面都向一个角度缩减,这些透视的雏形和真正意义上的“焦点透视”的不同

In the history of western painting, the traditional realistic painting always follows the principle of perspective. As early as 27 BC, Vitruvius, an ancient Roman scholar, wrote in Ten Books of Architecture that image reduction and projection originated from ancient Greece. The ancient Greeks used this method to make the illusion of illusion illusion effect on the architecture of the stage scenery. After some of the wet murals strongly show the illusion of space, in some pictures, the sides of the object are reduced to an angle, the prototype of these perspectives and the true sense of the “focus perspective” is different