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中国戏曲从宋元杂剧至明清传奇,在漫长的演进历程中形成了独具一格的完整艺术体系。而戏曲舞美是构成戏曲具有浓厚民族特色的重要组成部分,其充分体现出极鲜明的美学特征与独特的艺术魅力。然而,自19世纪末20世纪初西方文化的侵入,戏曲受到极大的冲击,随后在不断变革中逐渐产生了变异,景物造型从人景紧密结合的写意表现转向了相对独立的布景体现,舞台空间从不确定性转向了环境的具体化,布景描绘环境被作为舞台演出的基本条件,打破了古典戏曲“从表演中产生景”的传统原则。现代戏曲对于传统表现形式的颠覆所付出的代价,令人深思。
Chinese drama from the Yuan Dynasty drama to the Ming and Qing dynasties, in the long process of evolution formed a unique complete art system. However, the drama and the beauty of the opera constitute an important part of the drama with strong ethnic characteristics, which fully reflects its distinctive aesthetic characteristics and unique artistic charm. However, since the invasion of Western culture from the late 19th century to the early 20th century, the opera has been greatly affected, and then gradually change in the continuous evolution of the scene, landscape modeling from the close combination of the human landscape turned to a relatively independent setting reflects the stage space From uncertainty to the concretization of the environment, setting scenes depict the environment as the basic condition for the stage performance and breaking the traditional principles of “creating a scene from performance” in classical Chinese opera. The cost of modern drama for the subversion of traditional forms of expression is thought-provoking.