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一个偶然的机会,我从故纸堆中翻出了几张文革宣传画。一位藏友告诉我:这也是一种藏品。于是,在藏友的引领下,我的收藏便多了一项内容。我对文革宣传画并不陌生。“十年动乱”期间,不论是学校厂矿,还是机关车站,到处都可以看到宣传画的影子。它们似乎成了那个时代的标志和特征之一。正因为它们是那个特殊年代的特殊载体,所以才随着时间的流逝,而逐渐进入了国外藏家的视野。抛开宣传画的政治性不谈,我比较看中
By chance, I pulls out a few Cultural Revolution posters from the pile of paper. A Tibetan friend told me: This is also a collection. So, under the guidance of Tibetan friends, my collection will have an extra content. I am no stranger to the Cultural Revolution posters. During the “ten years of turmoil ”, whether it is school factories and mines, or the machine station, everywhere you can see the shadow of posters. They seem to be one of the hallmarks and characteristics of that era. Precisely because they are the special carriers of that particular era, they gradually entered the horizons of foreign collectors as time passed by. Put aside the politics of the poster aside, I am more fancy