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春分时节,岛城藏家张广善、傅继磊、成铖相约一叶美术馆,品老茶,论古珠。各自带来的大珠小珠洒落案上,珠光浮动,宝气内敛,少许斑驳,千般模样,万种风情,历史的丰厚感扑面而来。各位藏家均是行家,却自称玩家,可见古珠这一收藏门类有着玩物“尚”志之雅趣。古珠在世界各地、各个时代都是人们喜闻乐见的艺术表现形式,具有悠久而顽强的生命力。人类对于珠子的喜爱,几乎与人类的审美发展历程同样久远。几千年来,古珠与信仰、宗教、财富、审美意趣紧密相连,成为世界各个民族文化的呈现方式之一。古珠分布十
During the vernal equinoxes, Zhang Guangshan, Fu Jilei and Chenghuang collectors in the Chengcheng City meet a leafy art museum, old tea, and ancient beads. Each brought a large bead beads spilled on the case, pearl floating, restrained gas, a little mottled, a thousand looks like, thousands of customs, a sense of richness blowing in history. All collectors are experts, but claiming to be players, we can see this collection of ancient beads has a plaything “Shang ” Chi’s taste. Ancient beads in all parts of the world, all ages are people loved by the art form, has a long and tenacious vitality. Human beings love beads, almost as long as the history of human aesthetic development. For thousands of years, Gu Zhu and faith, religion, wealth, aesthetic interest is closely linked to become one of the world’s various ethnic culture presentation. Ancient beads distribution ten