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在人们的普遍审美意识中,女高音的音色优美而又明亮,是人类声音里音域最高的奇观,处于人类声音金字塔的塔尖,因此,她们也毫不客气地霸占着歌剧舞台,成为聚光灯下最耀眼的明星。次女高音拥有较暗沉的音色,因此很不幸地,在歌剧中多半担任坏女人或是老妈妈的角色,其在歌剧中的角色地位也处于次要地位。19世纪上半叶声乐技巧的大发展使次女高音音域拓宽,声乐技巧得到了前所未有的大发展,以罗西尼为代表的作曲家大胆起用次女高音,为其量身创作了众多光彩迷人的歌剧角色,改变了次女高音在歌剧中的角色地位,这也丰富了当时的歌剧创作,促进了次女高音声部的大发展。
In the general sense of beauty, the soprano sounds beautiful and bright, is the highest-sounding spectacle in the human voice, at the spire of the human voice pyramid, so they are also unmoved to occupy the stage of the opera and become the spotlight The most dazzling star. The second soprano has a dull timbre, so unfortunately, most of the characters in the opera are bad women or mums, and their role in the opera is also at a secondary place. In the first half of the 19th century, the development of vocality skills broadened the bass treble range, and the vocal music skills gained a tremendous development. The composers represented by Rossini dared to use the second soprano to create numerous glamorous operas Role, changing the role of the second soprano in the opera, which also enriched the opera creation, promoted the development of the second soprano voice department.