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关于艺术创作中主体与自然对象的关系尚有诸多方面值得研究。自然进入艺术是一个复杂的过程。在这个过程中,自然对象引发主体的并不是自然情感而是审美情感,它是主体创作冲动的直接契机,因此进入艺术的自然并不是自然事物本身,而是表征宇宙生命律动、呈现于主体知觉的自然物象即自然事物的外显形象。自然物象作为主体审美知觉的意向性对象成为艺术家与宇宙造化融通为一的重要媒介。在物化为艺术形象之前,自然物象就已经具有了主体建构的性质,即创作主体以自己独特的艺术语言对自然对象进行了内在的审美构形,使其具有了作为审美对象的感性形式,进而负载着主体的艺术个性。
There are still many aspects worthy of studying about the relationship between the subject and the natural object in artistic creation. Nature into the art is a complex process. In this process, the natural objects trigger the main body is not the natural emotion but the aesthetic feeling. It is the direct opportunity for the main body creation impulse. Therefore, entering nature of art is not the natural thing itself but the rhythm of cosmic life, The natural image that is the explicit image of natural things. The natural object, as the intention object of the main body’s aesthetic perception, becomes an important medium for artist and cosmology to blend together. Before materialized as an artistic image, the natural object already possesses the nature of subject construction. That is to say, the subject of creation creates an inherent aesthetic configuration of the object of nature in its own unique artistic language so that it has its perceptual form as an aesthetic object. Load the main artistic personality.