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“表现的诗学”理论对主题具有生成作用,并不是孤立的外来现象。“表现的诗学”源出爱森斯坦诗学,同时与语义学、结构主义语言学、读者反应批评等理论都有着系统密切的联系及区别。由“主题”“象”“文本”等的结构意义联系,将批评理论部分引入全面的技术实现的尝试。“表现手法”是一种有效的描述语言,具有足够抽象性来涵盖多种艺术结构,同时也有足够的特殊性来解释众多细节和技术性问题。
“Poetics of performance ” theory has a generative effect on the theme, not an isolated alien phenomenon. “Poetics of performance ” originated from Eisenstadt poetics, and at the same time, it has systematic close relationship and distinction with semantics, structuralism linguistics and reader reaction criticism. It is connected with the structural meaning of “subject ” “” “” text “and so on, and introduces the theory of criticism into the attempt of comprehensive technology realization. ”Manifestations " is an effective description language that is abstract enough to cover a variety of art structures, but also has enough specificity to explain numerous details and technical issues.