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静香:您曾经写过《应该以公共艺术替换城市雕塑》的文章,可否就此谈谈公共艺术与城市雕塑的区别?朱尚熹:先从城市雕塑谈起吧,“城市雕塑”的概念是我们中国人提出来的,是以刘开渠为首的雕塑前辈在上个世纪70年代末80年代初提出来的。在他们的倡议和推动之下,成立了全国城市雕塑领导小组,后来更名为全国城市雕塑指导委员会。当时我们做的作品实际上都还是城市的一个个点,也就是单件雕塑作品,这些作品或是立于城市广场,或
Shizuka: You once wrote an article entitled “Urban sculpture should be replaced by public art.” Can we talk about the difference between public art and urban sculpture? Zhu Shangxi: Let’s start with urban sculpture. The concept of “urban sculpture” is what we The Chinese put forward the sculpture predecessors led by Liu Kaiqu in the late 1970s and early 1980s. Under their initiative and promotion, the National Leading Group for Urban Sculpture was established and later renamed the National Urban Sculpture Steering Committee. At that time, the works we did were actually one of the points of the city, that is, the single-piece sculptures, either standing on the city square or