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一十九世纪末出现的现实主义戏剧观念,将世界戏剧推上了继莎士比亚、关汉卿之后的又一个高峰。从易卜生到契诃夫,从梅宁根公爵到斯坦尼斯拉夫斯基,戏剧艺术家们为观众创造了逼真的幻觉世界。亚里士多德将戏剧定义为摹仿,两千多年后的现实主义戏剧仍在艺术与现实的摹仿关系上理解戏剧的本质。谁也不能否认现实主义戏剧艺术的逼真摹仿所创造的艺术魅力,然而,正当现实主义戏剧发展如日中天的
The concept of realism appearing in the late nineteenth century brought the world drama to another peak after Shakespeare and Guan Hanqing. From Ibsen to Chekhov, from the Duke of Meiningen to Stanislavsky, theater artists create a realistic illusionist world for the audience. Aristotle defined drama as imitation, and the realist drama more than two thousand years later still understood the essence of drama in the imitation of the relationship between art and reality. No one can deny the artistic charm created by the realistic imitation of realist dramatic arts. However, the development of legitimate realist drama is flourishing