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一位俄裔英藉的设计家和评论家米歇·布莱克(MICHA BLACK)于1962年写道:一个工业设计家的职责是设计有用而且令人愉快的物品,而且,他能够,至少能够使它们表现出富有生机、朝气蓬勃的社会面貌,而不是空洞地反映低级平庸的社会现象.随着社会的发展和人们观念的更新,这种观点也许已经落伍了.但这种目的——有用的和令人愉快的,是合乎情理且易于接受的.我们从布莱克众多的著述中可以看出来(参看《布莱克文集))1983年),他对于表现“富有生机,朝气蓬勃的社会面貌”的愿望有两方面的内容:首先,布莱克看到了设计家类似一个公务员的角色,他还追求包含在设计家领域的一些被艺术家们所欣赏的表现自由;另外,布莱克同时也意识到了设计的时代特征,意识到了设计作品转瞬即逝的流行性.对此,布莱克一直心怀遗憾,这在他对绝对标准、古典规则和渴望永恒的著作中可以看出来.
An architect and critic MICHA BLACK wrote in Russian in 1962 that the job of an industrial designer was to design useful and pleasant objects and that he was able, at least to be able to They show a vibrant, vibrant society rather than a hollow reflection of low-level mediocre social phenomena that may have become obsolete as society develops and people’s perceptions are renewed. But such a purpose - useful And delightful, sensible and acceptable, as we can see from numerous Black’s writings (see Black’s Collection), 1983), his desire for a “vibrant, vibrant society” There are two aspects: First, Blake saw the designer’s role as a civil servant. He pursued some of the freedom of expression that artists embraced in the field of designers. In addition, Blake also realized the design features of the times, Recognizing the ephemeral popularity of design work, Blake has always had the regret it has shown in his absolute standards, classical rules and eternal desire You can see it.