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当代艺术是人对自身社会存在的思考与追问,这种思考有别于美与丑、高雅与庸俗、崇高与卑微的判断,而在于就我们所经历的日常生活中的各种问题发表独特的看法。并希望通过不同观点的交锋与争辩,获得新的认识,从而改变对一些问题总是保持僵化认识的状况,为新的变化提供可能。但目前的当代艺术也有相当大的问题,那就是在高度商品化社会中,当代艺术要么沦为官、商等利益集团所控制的玩物和噱头;要么演变成为少数精英分子用骇俗语气宣扬个人观点的工具。不论是在哪种情况下,当代艺术都远离了大众,成为少数人的事情,因而也无法产生足够而且有意义的社会学追问。正式在这种局面下笔者认为当代艺术应该要民主化,而作为艺术家则一方面要警惕资本利益和市场需求背后隐藏的吞噬,另一方面也要抛弃掉精英阶层的傲慢心态,用包容的方式去创作作品,介绍作品,让当代艺术成为大众日常生活的一部分。
Contemporary art is the thinking and questioning of the existence of one’s own society. This thinking is different from the judgment of beauty and ugliness, elegance and vulgarity, lofty and humble judgment, and it is to express the uniqueness about the various problems in our daily life view. And hopes to gain new understanding through confrontation and argument from different perspectives so as to change the situation of always maintaining a rigid understanding on some issues and to make possible the new changes. However, contemporary contemporary art also has some considerable problems. In the highly commodified society, contemporary art has either become a plaything or a gimmick that is controlled by interest groups such as officials and businessmen. It has also evolved into a phenomenon in which a few elite members propagate their personal Viewpoint tool. In either case, contemporary art is far from the general public and becomes a minority, thus failing to generate sufficient and meaningful sociological questions. In this situation, the author believes that contemporary art should be democratized. As an artist, on the one hand, it should be vigilant against the phasing out of capital interests and the market demand behind it. On the other hand, it should abandon the arrogant mentality of the elite and tolerate it in an inclusive manner To create works, introduce works, so that contemporary art as part of the daily life of the public.