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当美术创作冲浪前进,素描教学也扬起风帆,创作遇到激浪和漩涡,教学便产生困惑。美术院校中素描教学讨论会不断举行,素描教师渴望交流,爱争论,又多么希望在交流和争论后得出最大的共同点,成为素描教学的普遍性原则。记得一本外国现代素描书上对素描下了大致这样的定义:用单色的可画的工具在可描画的媒介上描画,以表现作者的感受和情感。这个定义包含两点意思:
When art creation surfing forward, sketching teaching also raised the sail, creative experience encountered waves and whirlpool, teaching will be confused. Sketch teaching seminars in art schools continue to hold, sketching teachers desire communication, love debate, how much hope in the exchange and debate come to the biggest common ground, became the universal teaching of sketch principles. I remember a sketch of foreign modern sketches on the general outline of such a definition: the use of monochrome can be drawn on the canvas on the media to describe the performance of the author’s feelings and feelings. This definition contains two meanings: