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常风(1910—2002),原名常凤瑑,字镂青,笔名常风、荪波等,山西榆次人。是上世纪30年代活跃在北平文坛的著名文艺批评家、书评家,有《弃余集》《窥天集》《逝水集》及翻译著述多部,后在山西大学外语系从教多年。早年毕业于清华大学西洋文学系,曾是《新月》《学文》《文学杂志》等当时文坛重要期刊的作者和编者。他在30年代的文学批评工作近年得到重视,引起许多学者和文学史研究者的兴趣,是被关注较多的“中国现代文学批评史上的清华学派”中的重要成员之一。2010年,适逢先生诞辰一百周年,本刊与山西万象书城共同举办了“常风先生诞辰一百周年学术研讨会”。以总结先生在文学批评领域的研究成果,继承和发扬其严谨、务实的学风,为推动和深化中国现代文学中“京派”文学的研究尽绵薄之力。常风先生除在文学批评及翻译方面卓有成绩之外,观其一生履历,于人于事于物之立场、态度及行为取向不惟其个人操守、信仰的表征,亦是一代学人命运沉浮、艰难求索的明证。此专辑的刊出,在表达对这位文坛耆宿的崇敬与缅怀之余,另一层意思便是,由常风先生之心路演变,找寻知识分子跨越时空阻隔的某种可互见和延续的精神支点。此外,若能为丰富常风先生乃至现代文学的研究提供少许的帮助或佐证,当也是我们乐见之事。
Chang Feng (1910-2002), formerly known as Chang Feng, the word Louqing, pseudonym often wind, sun wave, Shanxi Yuci. Is a famous literary critic and book critic who was active in the Beiping literary world in the 1930s. He has devoted many years to the foreign language department of Shanxi University after he has devoted himself to collecting books, collecting glimpses of the world, translating writings and translations. He graduated from Western Literature Department of Tsinghua University in his early years. He was the author and editor of important literary journals such as Xin Yue, Xue Wen and Literary Magazine. His work on literary criticism in the 1930s has drawn great attention in recent years, arousing the interest of many scholars and researchers of literary history and is one of the most important members of the “Tsinghua School in the History of Chinese Modern Literary Criticism”, which has drawn more attention. In 2010, coincides with the one hundredth anniversary of Mr.’s birthday, this magazine and Shanxi Vientiane Bookstore co-hosted the “Symposium on the Centenary of Mr. Chang Feng’s Birthday.” In order to summarize his research achievements in the field of literary criticism, inherit and carry forward his rigorous and pragmatic style of study, and do his utmost to promote and deepen the study of “Beijing School” literature in Chinese modern literature. Apart from his outstanding achievements in literary criticism and translation, Mr. Chang Feng’s life experience, his position on people’s affairs, their attitude and behavior are not only their personal conduct and their belief, but also the ups and downs of their lives. Difficult to find evidence. In addition to showing respect and memory of this literary world, another feature of this album is the evolution of the mentality of Mr. Chang Feng and the search for some spirit of interoperability and continuity between intellectuals across time and space Fulcrum. Besides, it would be our pleasure to provide little help or evidence for enriching the study of Mr. Chang Feng and even modern literature.