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《画刊》:有很多关于你的阐述文字,想在其中找到被忽略的点,是一件不容易的事。谷文达:但我心里有数,其实很多评论家写我的时候,(也许)并没有看我的展览、我的作品,只是道听途说或者是看的印刷品。他们凭感觉,凭先入之见去写,这些我自己很清楚。《画刊》:说说这次在上海民生现代美术馆的新展吧,规模很大,作品也很全面,是回顾的构想吗?谷文达:这次是我最大的一个展览,有很多新作品,老作品也多,总体比较全面。从体量来说,外围的《天堂红灯》估计是(目前)中国当代艺术最大的一个作品。当然,也有遗憾的
“Pictorial”: There is a lot of elaboration on your text, which is to find the overlooked point is not easy. Gu Wenda: But my heart is there. In fact, when many critics wrote me, I did not (maybe) look at my exhibitions, my works, just hearsay or printed materials. They feel, with the first opinion to write, these are my own very clear. Pictorial: Speaking about the new exhibition in Shanghai Minsheng Art Museum, it is a very large scale exhibition with comprehensive works and is a retrospective idea. Gu Wenda: This is my biggest exhibition with many new works The old works are also more overall overall more comprehensive. In terms of volume, the peripheral “Red Light of Heaven” estimate is (at present) one of the largest works of contemporary Chinese art. Of course, there are regrettable