论文部分内容阅读
有经验的戏曲作家构思剧本时,首先着眼于戏在哪里.有了人物和情节,并不等于有了戏.那么戏到底是什么呢?根据保留下来的优秀传统剧目来看,似乎是主要在于抒情,凝聚人物的感情,设置片刻的宁静,让其淋漓尽致地畅抒胸怀.我们常常只强调矛盾冲突,而忽略了如何结构出整块的好戏.矛盾冲突再尖锐,设置不出好戏也是枉然.矛盾冲突只起导火线的作用,好戏有时在爆炸的时刻,更多的是在爆炸之前或之后.所谓整块的戏,就是我
When an experienced drama writer constructs a script, it first looks at where the play is. With characters and plots, it does not mean that there is a play. What exactly is the play? According to the outstanding traditional repertoire, it seems to be mainly Lyrical, gather the feelings of the characters, set a moment of tranquility, let it vividly express my heart.We often only emphasize contradictions and conflicts, but ignored how the structure of the whole piece of good drama.Corresponding conflicts sharp again, can not set a good show is In vain, contradictions and conflicts play only the role of a fuse, good show sometimes in the moment of the explosion, more before or after the explosion, the so-called whole piece of play is me