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自古以来,诗歌的力量在于诗性能够建构出远多于词句表层意义的美学世界,追求“味外之旨”“言外之意”是中国古典诗词的重要特质。在此基础上形成的诗词文艺观念,虽经历白话文革命,依然蕴藏在汉语的骨血里。而新时期以来,尽管诗歌创作有着接受西方思潮形式技巧,甚至翻译语言影响的过程,诗的浪漫象征性本身并不会消失,而意境的美学特质也恰恰呈现出自我的更新。北岛、顾城、海子、西川、欧阳江河、张枣、翟永明……他们的作品有着令人惊叹的诗性
Since ancient times, the power of poetry lies in that the poetic nature can construct far more than the aesthetic world in the superficial meaning of words. The pursuit of “the purpose of exoticism” and “implication” is an important characteristic of Chinese classical poetry. On this basis, the concept of poetry and art formed by poetry, though undergoing the vernacular revolution, is still contained in the blood and blood of Chinese. Since the new period, although poetry has the process of accepting the formal skills of the Western thought and even the translating of language, the romantic symbolism of the poem itself does not disappear, but the aesthetic characteristics of the artistic conception also show a self-renewal. North Island, Gu Cheng, Haizi, Nishikawa, Ouyang River, Zhang Zao, Zhai Yongming ...... Their works have a stunning poetic