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中国山水画源远流长,源自华夏民族追求人和大自然的和谐共存,强调天人合一的精神。南北朝时期,高度成熟的山水画理论问世,此后,隋唐宋元明清的众多伟大画家以山水为主题,表现自然,赞美自然,抒发内心,颐养性情,营造意境,构成人类绘画史上的奇观。在西方,独立的风景画出现比较晚。透纳的风景艺术有一种主题性、象征性和精神力量,康斯太勃尔则在自然田园风光之中加入人文情怀,他们以风景确立自己的艺术,同时开启了后世风景画。其后,法国巴比松画派以柯罗的风景画最具诗意,在真正意义上影响了整个印象派的风景画。而光学原理与科学性的参与,又使得印象派在色彩风景上达到一个新的高度。印象派
Chinese landscape painting has a long history, originating from the harmonious coexistence of the pursuit of man and nature by the Chinese nation and emphasizing the unity of man and nature. Since the Northern and Southern Dynasties, the highly mature theory of landscape painting has come out. Since then, many great painters in the Song, Yuan, Ming and Qing Dynasties have been performing landscapes with the theme of landscapes. They are natural, complimenting nature, expressing their innermost feelings and preserving their artistic conceptions. In the West, independent landscapes appear late. Turner’s landscape art has a thematic, symbolic and spiritual power, Constable Boer in the natural pastoral scenery into the human feelings, they establish their own landscape art, at the same time opened the landscape. Since then, the most poetic landscape of the Barbican school in France was Corot’s landscape, in a real sense, influenced the landscapes of the entire Impressionism. The optical principles and scientific participation, but also makes the Impressionist in the color landscape reached a new height. Impressionism