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该文从民间信仰视角对六朝志怪、唐人小说、宋元话本、明清小说的创作内容、题材、方法以及中国古典小说的内在传承演进动因等问题进行了论析。认为中国古代小说创作渗透了强烈的民间信仰意识,民众信仰的对象往往成为创作的重要题材,民间信仰的特点直接影响古典小说创作过程中对非现实情节的采用。创作者对民间信仰的对象不是简单地照搬、模仿,而是倾注了自己的思想感情,融进了自己的艺术天才,使其与民间信仰的原初形态有了一定的区别。
From the perspective of folk beliefs, the article analyzes the creative content, themes, and methods of the novels of the Six Dynasties, the novels of the Tang Dynasty, the Song and Yuan dialects, the novels of the Ming and Qing Dynasties, and the motivation of the evolution of the inherent inheritance of Chinese classical novels. It is considered that the creation of Chinese ancient novels infiltrates a strong awareness of folk beliefs, and the object of popular beliefs often becomes an important theme of creation. The characteristics of folk beliefs directly influence the adoption of unrealistic episodes in the creation of classical novels. Instead of simply copying or imitating, the creators’ objects of folk beliefs devote their own thoughts and feelings into their own genius of arts and make some distinctions with the original forms of folk beliefs.