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传统画是文人雅集的重要内容,而它的欣赏方式则是近距离的赏玩,这也使它对笔墨及画面的结构方式提出了相应的要求。进入现代社会以后,水墨画堂而皇之地进入了展览厅和现代建筑。一方面它必然要和观众保持较大的空间距离;另一方面它与其他画种,还有周边环境也形成了特殊关系。面对全新的欣赏方式,如何强化当代的视觉效应,就成了现代水墨画家必须要解决的重要问题。例如艺术大师潘天寿虽然一向强调传统的价值观,但他还是对画面的结构方式与笔墨表现方式作了必要的调
Traditional painting is an important part of the literati’s collection, and its way of appreciation is close-up, which also makes it put forward corresponding requirements on the structure and style of ink and wash paintings. After entering the modern society, ink painting openly entered the exhibition hall and modern architecture. On the one hand, it is bound to maintain a large spatial distance from the audience; on the other hand, it has also had a special relationship with other paintings and the surrounding environment. Faced with a new way of appreciation, how to enhance contemporary visual effects has become an important issue that modern ink painters must solve. For example, the master of art, Pan Tianshou, has always stressed the traditional values. However, he also made the necessary adjustments to the structure of the picture and the manner of expression