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在一般人的印象中,明清时期的苏州地区(此处所用的苏州是“大苏州”的概念,即包括苏州周边的地区)是文人画家集中的所在,其中最著名的就是明朝的“吴门四家”(沈周文徵明、唐寅、仇英),确实在美术史、绘画史上就是这么叙述的。在“文人画”流行后,相当多并非具有“文人”身份的画家亦纷纷仿效文人绘画的样式与风格从事绘画创作,以至形成了一股相对自我认同的势力。这是由于一种绘画风格样式流行之后,就会向周边辐射其影响力,使之成为这一地区主流的样式和风格。
In most ordinary people’s minds, the Suzhou area in the Ming and Qing dynasties (the concept of “Suzhou” as used here, including the area around Suzhou) is the concentration of literati painters, most notably the Ming dynasty “Wu door four ” (Shen Zhouwen Zheng Ming, Tang Yin, Qiuying), indeed in the history of art, painting is so narrative. After the popularization of “literati painting”, quite a few artists who were not “scholarly” identities also followed the styles and styles of literati painting to create paintings and even formed a relative self-identity. This is because after a style of painting is popular, its influence is radiated to the periphery, making it the mainstream style and style in the area.