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国画《宇宙系列》以传统与当代艺术相结合的巧妙方式表现了一种艺术家再度回归宇宙的整体观念,其中隐含的创作观念与《易经》以及道家思想相关;《圆系列》则是将各种汉字体的“圆”以钻石、翡翠、珍珠和珊瑚等有机或无机宝石为构字题材,并结合水、动物、植物或者世界地形等图案进行油画创作。“圆”道出了物质背后的一种期盼,表达了对于人之生存状态以及社会发展的哲学思考与精神。透过绘画作品的艺术形式与蕴涵的主题、精神两者的结合,可以看出绘画与心象的密切联系。绘画是一种梳理和记录心理活动的、理性与感性相结合的产物,它将情感和观念浓缩到二维平面图像中。心象是创作者对生活和事物的感觉和感受到达一定高度之后,才会产生创造形象的冲动。绘画的存在离不开心象,而心象也通过绘画得以形象性传达。
The “Universal Series” of traditional Chinese painting shows the overall concept that artists once again return to the universe with the ingenious combination of traditional and contemporary art. The implied creation concept is related to the Book of Changes and Taoism. The “circle series” Various Chinese characters “round” with diamonds, emeralds, pearl and coral and other organic or inorganic gems for the composition of the subject matter, and combined with water, animals, plants or world topography and other designs for painting. “Circle ” tells a kind of expectation behind the material and expresses the philosophical thinking and spirit of living conditions and social development. Through the combination of the artistic form of the painting and the implied theme and spirit, we can see the close connection between painting and the image of the heart. Painting is a product of combing and documenting mental activity, the combination of reason and sensibility, which concentrates emotions and concepts into two-dimensional graphic images. Heart is the creator of life and things feel and feel a certain height, it will create the impulse to create images. The existence of painting is inseparable from the heart, and the image of heart is vividly conveyed through painting.