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篆刻社团的发展无疑是20世纪初期至今篆刻史上蔚为壮观的一页,是篆刻专业化、社会化、公共化的一个重要标志。自西泠印社成立至今,百余年间,篆刻社团从无到有,由少到多,由弱到强,无论从属于何种体制,在群体交流中构筑了篆刻艺术大厦。遍布全国各地的篆刻社团逐渐改变了古代文人雅集的临时性,而走向了具有明确社团宗旨和特定艺术追求的社会组织机构。
The development of carving society is undoubtedly a magnificent page in the history of carving since the early 20th century, which is an important symbol of carving profession, socialization and publicization. Since the founding of the Xiling Seal Society, over a hundred years, the carving society has grown from scratch, from less to more, from weak to strong, regardless of subordination to what kind of system, in the exchange of groups to build the seal carving art building. The carving societies spread all over the country have gradually changed the temporary nature of ancient literati’s collections and moved toward social organizations with a clear mission of the community and a specific artistic pursuit.