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《天真自然,尽得风流—赏析陈孟昕的人物画》节选陈孟昕先生的人物画可分为两大类:一类是建造大工笔范式;另一类是素染浅绛的意象小品。二者各有千秋,各有妙用。所谓建造大工笔范式,就是把工笔人物样式与写意精神冶于一炉,外形式是精密打造,内形式是写意精神,使艺术整体气韵流动,如一气呵成,让艺术生命活跃起来。在设色上不再是单线平涂,也不是五颜六色的堆砌,彻底脱离媚俗,脱离匠气,不能容忍一点脂粉气。新的范式要求色彩高
“Naive natural, enjoyable style - Appreciation of Chen Mengxin’s portraits” excerpts Mr. Chen Mengxin’s portraits can be divided into two categories: one is to build a large paradigm paradigm; the other is plain dye plain imagery. Both have their advantages and disadvantages, each with its magical effect. The so-called construction of a large paradigm pen paradigm is the Meticulous style and spirit of freehand brushwork in a furnace, the external form is to create precision, the internal form is the spirit of freehand, so that the overall artistic flow of the arts, such as in one go, so that artistic life is active. In the color is no longer a single line flat Tu, nor is it a colorful pile, completely out of kitsch, off the air, can not tolerate a little fat powder. The new paradigm requires high color