论文部分内容阅读
“在上海,你是看不到山的。上海是一个没有山的城市。”宁静的上午,“是山堂”里,庞飞焚香沏茶,与我们侃侃而谈。四周展示的便是他收藏的灵璧石,以及他的山水作品。庞飞工作室的正中央,摆放着他的一块宝贝“疙瘩”:一块典型的传统供石。其长势仿佛青烟缭绕,呈饱满之态,又在右上角收回,将气韵涵于其中。底座的雕花是灵芝与云的结合,仿佛此石徜徉于仙云之间。今年是庞飞来到上海的第十五个年头。自小在大巴山里长大的他,天生便亲近于山水。而在这个没有山的城市,又该怎样去聆听自然呢?庞飞思索着。最终,赏石成了他寄情山水的另一种方式。
“In Shanghai, you can not see the mountains, and Shanghai is a city without mountains.” “In the morning of tranquility,” “Mountain Hall”, Pang Fei incense made tea and talked with us. Surrounded by his collection of Lingbi stone, as well as his landscape works. Pang Fei studio in the center, placed a piece of his baby “pimple ”: a typical traditional stone. Its growing like a smoke-filled, was full of state, but also recovered in the upper right corner, which will culminate in which. Carved base is the combination of Ganoderma lucidum and clouds, as if this stone 徜 徉 in the cents cloud between. This year is the fifteenth year that Pang Fei came to Shanghai. Growing up in the Dabashan since childhood, he was naturally close to the landscape. In this city without mountains, how to listen to nature? Pang Fei pondered. In the end, the stone has become another way of sending greetings to the landscape.