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黄式宪认为,新时期十年电影理论的建树,大体上有如下五个方面:一、对电影本体及其形式、语言规律的再发现。过去那种将电影捆绑在政治战车上的庸俗社会学做法终于遭到普遍的扬弃:二、理论与批评对创作现状的关注和评述,特别是敏锐地发现创新的苗头并予以理论的赞助和支持:三、理论的主导倾向是呼唤现实主义,并在现实主义的本来意义上促成其复归与深化,同时又极力支持艺术的多元,多维裂变:四、提出一个新课题:建设独具中国民族特色的电影美学,并在世界的东方开拓出中国电影学派之路:五、勇于开放,以洋为鉴,大量地译介世界电影在理论和创作两方面的优秀成果,并初步形成中国电影理论既不同
Huang Xian constitution believes that in the new era of film theory to establish ten years, in general, has the following five aspects: First, the movie ontology and its form, language law rediscovery. In the past, vulgar sociological practices that tied the film to a political chariot were finally discarded. Second, theory and criticism paid close attention to and critiqued the status quo of creation. In particular, they were acutely aware of the innovation and sponsored by theory Support: Third, the dominant tendency of the theory is to call realism and promote its return and deepening in the true sense of realism. At the same time, it strongly supports the multi-dimensional and multi-dimensional fission of the arts. Fourth, it proposes a new task: building a unique Chinese nation The characteristics of the film aesthetics, and in the east of the world open up the Chinese film school of the road: five, the courage to open to the foreign experience, a large number of translation of the world film theory and creation of two outstanding achievements, and the initial formation of the Chinese film theory Both different