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山水画是中国绘画的一座高峰,这座高峰按人们的习惯把它定格在宋元时期,从明清开始便被写意花鸟画代替。但山水画的创新与发展从未停下脚步,一直积累着自己的技法和提升着审美高度,一路走到了今天。近现代山水绘画出现了两位大师级人物,一个是黄宾虹,一个是李可染。这两位至今仍影响着山水画的发展。他们的绘画不约而同地使用了积墨法、积笔法,并注重对自然的写生。而这样的绘画风格却是在三百年前明末清初时一位隐者型的大师——龚贤率先使用并发展出来的。黄宾虹受了龚贤的影响,有了积墨法,李可染受了黄宾虹的感染,使用积笔积墨法,并结合光影形成自己的风格。
Landscape painting is a peak of Chinese painting. According to people’s habits, this peak is fixed in Song and Yuan dynasties. It was replaced by freehand flowers and birds paintings from the Ming and Qing dynasties. However, the innovation and development of landscape painting has never stopped, has accumulated its own techniques and enhance the aesthetic height, all the way up to today. Modern landscape painting appeared two masters, one is Huang Binhong, one is Li Keran. These two still affect the development of landscape painting. Their paintings coincidentally used the method of plotting ink, plotting method, and focusing on the sketching of nature. However, such a style of painting was first developed and applied by Gong Xian, a hermit master, three hundred years ago during the late Ming and early Qing dynasties. Huang Binhong was influenced by Gong Xian. With the method of accumulating ink, Li Keran was infected with Huang Binhong, using the plotted plot method and combining light and shadow to form his own style.