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象征主义艺术借助“符号”来隐喻人的宇宙意识和生命感受,其最初的原型范式便是神话和游戏。神话和艺术本来就有不解之缘,两者的联姻在人与世界、人与人之间建构了象征性关系;而以神话形态来表述审美化生命存在,是象征主义艺术特定的言说方式。不仅如此,象征主义艺术指向游戏的维度,一方面,游戏源于艺术,象征主义艺术以游戏方式使生命达到自由生成和无限存在,另一方面,艺术又借助神话召唤人们进入一种“诗意地栖居”。正是在艺术的催化下,神话和游戏通向象征诗学,审美论转化为价值论。鉴此,以神话和游戏为基本维度的象征主义艺术就是一种基于人本主义之上的文化诗学:人不仅应该成为人,而且应该成为诗人,只有诗人才能给眼前这个现实世界提供并创造出新的意义。
Symbolism art uses “symbols” to metaphor people’s cosmic consciousness and life experience. Its original prototype paradigm is myth and game. Myths and arts are inherently incompatible. The marriage of the two constructs a symbolic relationship between people and the world and between people. The mythological representation of the existence of aesthetic life is a symbolic art-specific way of saying . Not only that, symbolism art points to the dimension of the game. On the one hand, the game originates from art. Symbolism art uses the game way to make life freely generate and infinitely exist. On the other hand, art relies on the myth to call people into a kind of poetic Dwelling ". It is under the catalysis of art that myths and games lead to symbolic poetics and that aesthetic theory turns into axiology. Therefore, the art of symbolism based on myths and games is a kind of cultural poetics based on humanism: People should not only be human beings, but also become poets, and only poets can provide and create for the immediate real world A new meaning.