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山歌剧《山稔果》实在不能算是很成熟的作品,但剧中的几个人物与舞台上常见的同类人物相比或许有些不同,有同志因此评价我这个作品“新”。作为剧作者,我觉得这大概是我对人物真实性追求的结果。如果这种追求真的能让人们感受到几分新意,那便是对我所付出的厚厚回报了。一现实生活中的人物很难写,难就难在这些凡人凡事就在你身边,天天厮混一处,纠缠一起,往往使你无从把握。信手将企业家连同他的“大哥大”搬上舞
The mountain opera “Mountain Gooseberry” really can not be regarded as a very mature work, but the characters in the play may be somewhat different from those on the stage. Some comrades therefore commented on my work “New ”. As a playwright, I think this is probably the result of my pursuit of authenticity of characters. If this pursuit really makes people feel a bit new, it is a huge return on me. A real life character is difficult to write, it is difficult in these mortal things on your side, every day, a mixed together, often entangled you can not grasp. Hands on the entrepreneur with his “big brother” to dance