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“意象油画”概念的提出也是基于西方油画艺术在中国发展进程中的一种民族化和本土化。早在上个世纪之初中国油画家就已开始尝试了中国意象油画的探索和创新,如林风眠、吴大羽与关良等第一代油画家,将中国绘画中的线条、形体、色彩和空间布局等民族元素巧妙地融入到中国油画创作当中,因此,中国意象油画发展的历程就是中国油画发展史。“意象油画”是一种中国意味的绘画语言,反映中国文化精神和民族审美心理,“意象油画”有
The proposal of the concept of “imagery painting” is also based on the nationalization and localization of western oil painting in the development of China. As early as the beginning of the last century, Chinese oil painters began to explore the exploration and innovation of Chinese imagery paintings. The first generation of oil painters such as Lin Fengmian, Wu Dayu and Guan Liang incorporated the lines, shapes, colors and spaces in Chinese painting Layout and other ethnic elements skillfully integrated into the creation of Chinese oil painting, therefore, the development of Chinese imagery is the history of the history of the development of Chinese oil painting. “Imagery ” is a Chinese-style painting language, reflecting the spirit of Chinese culture and national aesthetic psychology, “imagery painting ” has