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“十八描”特指中国传统人物绘画的程式化技法,其根本目的是为了更加形象生动的表现物象和服务于整幅画面的美感,所以“十八描”重在表达线条的美感特征,它对中国人物画的发展有着重要的意义。经过画家长时间的摸索,“十八描”在国画创作中呈现出不同类型的表现形式,伴随着人们的审美情趣和时代变迁而不断演变,当代著名画家吴冠中十分强调“十八描”技法的运用,为此做了一系列的探索。本文试图通过对吴冠中先生作品《狮子林》的分析,窥探“十八描”在当代艺术作品中的现代再现。
“Eighteen strokes ” refers specifically to the stylized techniques of Chinese traditional figure painting. Its fundamental purpose is to give a more vivid representation of the image and serve the beauty of the entire picture. Therefore, “eighteen strokes Aesthetic characteristics, it is of great significance to the development of Chinese figure painting. After painter’s long-term exploration, ”Eighteen Tracks“ presents different types of expressions in traditional Chinese painting. With the aesthetic taste of people and the changing of times, Wu Guanzhong, a contemporary famous painter, places great emphasis on ” “Technique of use, to do a series of exploration. This article tries to analyze the ”Lion Grove“ by Mr.Wu Guanzhong and explore the modern reproduction of ”Eighteen Tracks" in contemporary works of art.