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莫里斯·埃利·沙尔图(Maurice-Elie Sarthou)1911年1月15日出生于巴约纳,先后在巴黎国立美术学校和蒙彼利埃美术学校学习绘画。他现在大部分时间在塞特港(蒙彼利埃西南方的港湾城市)的画室里专心致志地根据自己对周围自然——阳光、水、风景的观察进行创作活动。有时他也回到巴黎的画室,参加一些国内外的艺术活动。沙尔图的独创一格的绘画,深受评论家的赞赏和观众的喜爱,并被世界各地许多画廊和美术馆收藏。 沙尔图的画,色彩斑斓、绚丽,有如万花筒一般,变化无穷。他的画风似具象又非具像,似写实又非写实,似抽象又非抽象,真可谓是妙在“似与不似之间”。他的画实际上是对所谓具象和抽象的超越。沙尔图的画显然受印象派莫奈和抽象派康定斯基的影响,但他走的是具象与抽象之间的另外一条路。例如,他画的许多描绘沼泽池塘的晨昏和四季的不同变化景色,但却不像莫奈描绘草垛和教堂在不同时间的光线和色彩变化那样对景逼真的写生。他的画也不像康定斯基后期的纯抽象绘画,而是对景生情,借题发挥,画出了既不是具象又不是抽象的独特的色彩世界。
Maurice-Elie Sarthou Born in Bayonne on January 15, 1911, he studied painting at the National School of Fine Arts in Paris and the Montpellier Fine Arts School. For the most part, he now devoted himself to creating ideas based on his observations of the surrounding nature - sunlight, water and landscape - in his studio in Port Said, a bay city south-east of Montpellier. Sometimes he returned to the studio in Paris to participate in a number of domestic and international art activities. Schaltu’s original painting is highly appreciated by critics and loved by the audience and has been collected by galleries and galleries around the world. Shartu’s paintings, colorful, brilliant, like a kaleidoscope in general, endless changes. His style seems like an avatar, like realism and non-realistic, abstract and non-abstraction seems to be wonderful in the “like and not like between.” His paintings are actually beyond the so-called figurative and abstract. Schalt’s painting is apparently influenced by the Impressionist Monet and the abstract Kandinsky, but he takes the other path between figurative and abstract. For example, many of his dwellings and seasons depicting swamp ponds vary, for example, but are not as realistic as Monet painted sketches depicting haystacks and church changes of light and color at different times. Unlike Kandinsky’s purely abstract painting in the later period, his paintings exert a special influence on the scenery and draw a unique color world that is neither abstract nor abstract.