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灾变,不仅在毁灭着人类的生命财产,而且在改变着人们的思维方式.老子“祸兮福所依,福兮祸所伏”的哲理,已越来越为民众所接受.固然面对频发的自然巨灾及人为事故,人类往往无法摆脱困境,但我们还不致在灾难面前束手待毙.灾害属于自然的一种“声音”,人类有责任去认真倾听!研究灾难,宣传灾情,旨在告诫国民要有深度忧患意识,从而更好地去战胜它.这无疑是中国新世纪安全减灾战略的科普主题.作为一种建言:我们认为中国新世纪国民安全文化素质的培养呼唤灾害文学.”翻遍多部文学典集,发现都没有“灾害文学”这一条目.也可能我们的理论家认为它太恐怖,与文学的美好相去甚远;或认为其内涵就整个社会而言太小,还不足以成为一种独立的文学体裁出现.我们则认为,随着社会的发展与进步,特别是社会实际生活的变化及存在,灾害文学应该引起人们的关注.现实主义是文艺的基本创作方法之一.它提倡客观地、冷静地观察现实生活,按照生活的本来样式精确细腻地加以描写,力求真实地再现典型环境中的典型人物.巴尔扎克、果戈理、肖洛霍夫、老舍等,都可称为是世界著名的现实主义表现大师.文学是为现实服务的.且不论灾害机理的科学性如何用文学来描述,仅仅说灾害社会学、灾害伦理学、灾害法学、灾害心理学等一系列专题单靠理论?
Disaster, not only in the destruction of human life and property, but also change people’s way of thinking.Lao Zu “Bless Xi Fu Fu, Fu Xi Cuosuo V” philosophy, more and more accepted by the public .Although the frequency Natural catastrophes and man-made accidents that human beings often can not get rid of, but we are not yet dead in the face of disaster. Disaster belongs to nature as a kind of “sound”, human beings have a responsibility to listen carefully! Disaster research, propaganda disaster, to warn It is undoubtedly the popular science theme of China’s strategy for disaster risk reduction in the new century as a kind of advice: We think that the cultivation of the national security culture in the new century calls for disaster literature. There are no articles on “disaster literature” found in many literary books, or our theorists may think it horrible, far from the beauty of literature, or think its content is too small for society as a whole Not enough to become an independent literary genre appearance, we believe that with the social development and progress, especially the changes and existence of the actual social life, disaster literature should cause people Realism is one of the basic creative methods of literature and art, which advocates objectively and calmly observing the real life and accurately and delicately describing it according to the original style of life, in an effort to truly reproduce the typical characters in a typical environment.Parzak, Gogol, Sholauhov, Lao She and others can all be regarded as world-renowned masters of realism. Literature serves the reality and no matter how the scientific nature of the disaster mechanism is described by literature, just saying that disaster sociology , Disaster ethics, disaster law, disaster psychology and a series of thematic rely on the theory?