论罗伯特·洛威尔诗歌中的“自我造塑”

• 作 者: 王卓
• 机 构: 济南大学外国语学院 山东济南250022
• 出 处: 山东外语教学
• 发表日期: 2004年03期
• 关键词: 自我造塑 新历史主义 自白 历史

“自白体”诗歌是美国后现代诗歌中一个非常有影响的流派。本文从“自白体”诗歌的代表人物罗伯特·洛威尔的“自白体”诗歌和政治诗歌两个角度入手 ,采用新历史主义的批评方法 ,并运用其核心概念 ,考察诗人如何在诗歌中最大限度地融入社会文化、政治历史等因素 ,从而突破了“自白体”诗歌的局限 ,在诗歌中实现了“自我造塑” ,同时又完成了以诗写史的弘愿。

“Confessions” poetry is a very influential genre in American postmodern poetry. This article begins with two perspectives of the “Confessions” poem and political poetry of the representative body of “Confessions” poetry, adopts the neo-historicism method of criticism, and uses its core concepts to examine how the poet is the largest in poetry Limited integration of social culture, political history and other factors, so as to break through the limitations of “self-styled” poetry, realize “self-made plastic” in poetry, and at the same time, fulfill the great wish of writing history.