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近年来大型环境艺术的急剧增加,使人们越来越多地注意到艺术在人类社会中的基础作用。历史上从来没有一个时期象今天这样,如此大型和大量的艺术品出现在城市空间中。在建筑物的室内外,街道的边角或广场,走廊或楼梯口、林荫路和购物中心,花园、建筑物顶层空地,都能看到它们的存在。最近,艺术家莱克兰德·考尔德甚至尝试在飞机的外表上创作。 关于环境艺术和它在人类社会中的作用的问题在史前艺术家那里很可能就已提出来了。他们在自己的山洞里描绘巨大的画面,古埃及人建造了令人敬畏的“司芬克斯”、金字塔、麦姆南的双面巨像更是历史上的壮举。但是,史籍上并没有关于这个问题被提出的记载。弄清楚艺术与环境的关系非常重要,像早期的那些艺术家创作的体量巨大的环境作品已在此地绵亘了数千年。我们很容易得出一个明显且关键的结论:这些环境艺术作品一旦安装和构建完
The dramatic increase in the large-scale environmental arts in recent years has caused people to pay more and more attention to the fundamental role of art in human society. There has never been a time in history like today, so large and numerous works of art appear in urban space. They can be seen inside and outside buildings, the corners or squares of streets, corridors or stairways, tree-lined streets and shopping centers, gardens, and rooftops of buildings. Recently, artist Lakeland Calder even tried to create on the look of the plane. The question of environmental art and its role in human society is likely to have been raised by prehistoric artists. They painted a huge picture in their own caves. The ancient Egypt built the awesome “Sfinks,” the pyramids, and the two-sided colossus of Mehndi, a feat of history. However, there is no historical record of this issue being proposed. It is important to understand the relationship between the arts and the environment. Massive environmental works created by early artists, for example, have been here for thousands of years. We can easily come to a clear and crucial conclusion: once these environmental art works have been installed and built