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宋诗变革唐诗,借“以不工为工”确立了自己的面目。通过“不工”或“拙”而营造出一种浑成质朴的美和滂沛的野性,是宋诗最初的艺术追求。但“不工”或“拙”一旦赢得正统地位,寖假而成为俗套,依然不脱人为雕琢的弊病。正是这一原因,促成了宋代诗学工、拙之间的转换与悖谬,并最终以“自然”为最高标准。“以不工为工”—“诗贵工拙相半”—“无心于工拙之间(自然)”三个批评范式和审美范畴的转变,促成了整个宋代诗学迂回而辩证的发展。
Song poetry change Tang poems, by “to work for ” established its own face. It is the original artistic pursuit of the Song poetry to create a wild, simple and wild nature through “no work” or “awkwardness”. However, “no work” or “clumsy” once won the orthodox status, dipping and become a cliche, still does not take off human shortcomings of carving. It is precisely for this reason that contributed to the conversion and absurdity between the poetics and the clumsy in the Song Dynasty, and finally to “natural” as the highest standard. The transformation of the three criticism paradigms and aesthetic categories contributed to the development of poetics throughout the Song Dynasty Circuitous and dialectical development.