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杜文同志: 来信收读。您谈到对当前戏剧理论出现的空前活跃的局面,一方面为思想的自由解放而欢欣鼓舞,另一方面又对“新理论”的许多新观念、新名词缺乏理解,因而对“新理论”提出实现的最高创作目标“缺乏信心,感到迷惘困惑”,不知如何把自己的戏剧创作“纳入‘新理论’所提出的高层次的框架中”,使自己的创作“实现更高的超越”……首先有一点应当肯定:即戏剧理论的活跃,已经开始冲击着沉闷的戏剧界,激发我们去思索和探寻。近年来戏剧舞台上不断出现了一些充满新鲜气息的戏剧新作,有的正是吸允了“新理论”的新鲜乳汁而得以生成的。
Comrade Du Wen: read the letter. You talked about the unprecedented active situation in the present theatrical theory. On the one hand, it rejoices at the freedom of thought liberation, on the other hand, it lacks understanding of many new concepts and new terms of “new theory.” Therefore, The highest creative goal of “lack of confidence, confusion and perplexity” is put forward, and I do not know how to incorporate my own drama creation into a high-level framework proposed by ’new theory’ and make her creation ’achieve a higher transcendence’ ... First of all, one thing should be affirmed: that the active theory of drama has begun to impact the boring drama world and inspire us to think and explore. In recent years there have been some dramatic new stage compositions full of freshness on the theater stage, some of which have been generated by the fresh milk of the “new theory.”