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国产大片已经成为中国电影市场和中国电影文化的支撑,各种力量也希望其能成为中国文化认同和全球化想象的主要艺术形式,但中国大片目前还难以承担这一文化使命。中国大片始终执著于阴谋叙事,偏好权力秩序,倾向于表现无序世界和异化的人格。比较海外大片更多地采取正当性价值来建构世界秩序的方式,中国大片这一价值虚无主义导致其难以为全球化时代提供富有感性魅力和丰富内涵的文化想象。
Domestic films have become the support of the Chinese film market and Chinese film culture. Various forces also hope they can become the main art form of Chinese cultural identity and global imagination. However, large-scale Chinese films can hardly afford this cultural mission at present. Chinese tracts are always clinging to conspiracies and narratives, preferring power and order, and tend to show disorderly worlds and alienated personalities. To compare the ways in which overseas large films take more justifiable values to construct a world order, the largeness of Chinese nihilism has made it difficult to provide the cultural imagination of a sentimental and rich connotation to the era of globalization.